DIY

Ol Chiki goes public

2011-05-05T11:51:00.004+05:30

A recent visit to Jharkhand amazed me when I saw "Ol chiki" written on the sign boards of villages outside Jamshedpur. Looking at the layout and position of Ol Chiki, I have a bit of doubt whether it was officially written or some Santhali activists wrote it. Either way it's a great beginning for people outside the tribal community to see the script in public places.

History of Visual Communication

2011-02-23T09:44:00.001+05:30

Minor project on visual communication at National Institute of design in 2009. This project aims to study the history of Visual Communication in the Western context and present it in the form of a narrative. I will be looking at visual representation and style in the two-dimensional medium and how it has changed over the centuries. The timeline based narrative will be presented through a piece of motion graphics. Key pieces of art and design will be picked up to represent a certain art style/movement to help the viewer understand the change over the centuries.

type charateristics

2011-02-18T15:14:00.000+05:30

Type characteristics of badomtolia.ttf

2011-02-18T15:06:00.001+05:30

Complete character set of Badomtolia.

Typedesign set

2009-08-06T19:32:00.008+05:30

It's been quite sometime that I posted any information about my project.

Currently I am finishing my type design and will start the documentation in a week or so. Here is the final refined set that I have made in Illustrator.

found this article on basic type design

2009-06-16T12:11:00.002+05:30

I am done with my character set for the typeface and now doing the refinement. While looking for some information on inktraps, I found this article on basic type design ... Unfortunately it's not very detailed ... but still proved to be informative in terms of size and inktrap relation.

the link: fontshop

figuring out fontlab

2009-05-26T17:59:00.004+05:30

I am trying to give sometime figuring out fontlab so that later things don't get complicated. Found some tutorials in vimeo so thought would post them. I have downloaded 1 month trial version with tutorials, Fontlab seems a bit difficult... if anyone knows of related tutorials please post a link.

Tutorial: Creating fonts in Illustrator and Fontlab - Part 1 from Go Media on Vimeo.

Kerning Classes in FontLab from ilovetypography.com on Vimeo.

bell centennial

2009-05-15T19:28:00.006+05:30

While deciding on the character for my typeface, I came across this nice article about Bell centennial typeface. Though I knew that it was designed by Matthew Carter to be used in telephone directories. There are some amazing properties of Bell Centennial that still amazes me. The Link: bellCentennial

Link to flickr

2009-05-09T13:12:00.000+05:30

http://www.flickr.com/photos/18834250@N00/sets/72157617895537550/

Ol Chikki in public

2009-05-05T17:02:00.004+05:30

Ol chikki writing can be spotted in tribal populated regions. The above one is a book store in Karandih a santhali populated area in Jamshedpur, Jharkhand.

santhali village

2009-05-05T16:17:00.000+05:30

Field visit to Jharkhand

2009-05-05T10:54:00.006+05:30

Though my initial plan was to cover up the three states Jharkhand, Orissa and West Bengal, but considering my timeframe I decided to talk to people in Jharkhand and take that as the reference model. My main aim from this field visit was to know the santhali language and the script. And to collect information about the santhali culture and how different areas like language, art, dance and script function in santhal community today.

A number of views were there for Ol Chiki; while the people from lower strata of society vehemently support it others have a mixed opinion. There is a clear difference in the demand for the script and it being used among the tribal people. There are publications in Ol Chiki but the sale remains low, of course there are other issues like content and quality of publication that need to be looked into. As the literate santhali people are taught in three different scripts and languages (Hindi, Bangla and Oriya) adapting to a new script seems a difficult task for them. A few see Ol Chiki as a hindrance for santhali literature. Though the governments of Jharkhand, West Bengal and Orissa have recognized santhali language the Ol Chiki script is only recognized in West Bengal. There are proposals for starting Ol Chiki medium schools in santhali-populated regions of Jharkhand and West Bengal. But as these areas lie in the remote places and the effort mostly remains at a very hypothetical level. Lack of teachers is just one of the hindrances, irregular payment of salary to these teachers makes it even more difficult. People who are willing to learn Ol Chiki mostly do it by self-initiative or do it at college level when they have already made some other script as their primary script to write santhali, because of this people who can read Ol Chiki fluently remains a questionable number. There are publications in the market which remain a one-way interaction between people who know Ol Chiki. As there is very less communication and interaction in santhali between people language and script both remain a week state. Many people only interact in santhali at home.

A constant flow of Ol Chiki literature, text and santhali language needs to be created among the people. Both language as well as script needs to be practiced.

Education is regarded as a step to better economic condition and getting good government jobs among the tribal. If a child attends school, parents expect him/her to get a good government job and support the family. At present Ol Chiki and santhali medium schools don't provide much of a job opportunity. The government of Jharkhand has made it compulsory in JPSC for tribal people to know their mother tongue and be able to write it either in their script or devanagari. All India Radio broadcasts santhali and other tribal languages on a regular basis. Recent agitations from tribal unions have made it difficult for santhali writers to write in other scripts especially in bengal. Introduction of Ol Chiki has made it difficult for elder writers( who do not know Ol Chiki) to learn the script and then write There is a good job opportunity for translators who can write and convert These into Ol Chiki.

As the santhali population located mainly in three different states, for a same object there are different names influenced from the main language of that state. People tend to use these words from other languages in santhali. It works fine for people in the same region but creates problem in the other regions. Santhali as a language has a defined structure but lacks words and a standardized literature. This can be directly related to lack of santhali teaching from a primary level. New words need to be made from the santhali grammar and people need to be made aware of it.

The santhali culture is based on the oral tradition, there are number festivals and for each there is a different folk song with dance. Now mostly isolated in villages. There isn’t much done to show it to the outside world. Tribal do it for their own recreation.

A santhali house stands out from other tribal houses. It is heavily decorated with different colored natural soil and their villages are distinctly cleaner. The walls are decorated with different motifs. Nowadays the art of wall painting is on a decline. Instead of elaborate figure drawings of animals, plants and human beings, simpler motifs are made. People living in 'pukka' houses don't make them nowadays.

There seem an emotional connection in regarding the script as their own (tribals). The script has been accepted as it is. It can be used to write pure santhali words, but scripts gets limited when it is used to write words from other languages. As the interaction among these four languages everyday, the script can be further developed to incorporate others phonation also. This will help in further development of language and the writing system.

Demography of santhals

2009-04-15T19:12:00.011+05:30

The santhal population is mainly concentrated in the four states namely Jharkhand, Orissa, West Bengal and Assam. A significant number of santhali speaking population also lives in Bangladesh and Nepal( jhappa, morang and sunsari districts). After looking onto a number of sites I finally found this on the most obvious one the wikipedia and the 2001 population census.

I BIHAR total population santhals percentage

DEOGARH 9,33,113 NA

DHANBAD 26,74,651 2,40,718 9

DUMKA 14,95,709 5,68,370 38

GIRIDIH 22,25,480 3,56,077 16

GODDA 8,61,182 1,20,565 14

HAZARIBAGH 16,01,576 64,063 4

KATIHAR 18,25,380 1,09,522 6

KODARMA 6,29,264 37,755 6

PASCHIM SINGHBHUM 17,87,955 1,78,795 10

PURBI SINGHBHUM 16,13,088 NA

PURNIA 18,78,885 93,944 5

SAHIBGANJ 7,36,835 3,09,471 42

II ORISSA

BALASORE 16,96,583 1,69,658 10

BHADRAK 11,05,834 33,175 3

CUTTACK NA

DHENKANAL NA

KEONJHAR 13,37,026 NA

KHURDA NA

MAYURBHANJ 18,84,580 5,67,282 28

SUNDARGARH NA

III TRIPURA*

TRIPURA 2,200

IV WEST BENGAL

BANKURA 28,05,065 3,36,607 12

BARDHAMAN 60,50,605 3,63,036 6

BIRBHUM 25,55,66 1,53,340 6

WEST(N&S)DINAJPUR 12,00,924 1,80,138 15

JALPAIGURI 28,00,543 NA

MALDAH 26,37,032 1,84,592 7

MEDINIPUR 83,31,919 13,33,107 16

PURULIA 22,24,577 3,33,686 15

V ASSAM

ASSAM NA 2,00,000

It shows that the total population of santhals is 60,50,000.

The total population of santhal in west Bengal in percentage with respect to the total ST population is 51.6%(2001 census). Total literacy rate is 42.2% while the male and female is 57% and 27%.

Living tongue

2009-04-15T18:55:00.007+05:30

Started by a few Americans this NGO's prime focus is to document, revitalize and maintain the endangered languages. There website sates the current situation of languages today.

"Minority languages are being increasingly replaced by various politically, economically, or socio-culturally dominant ones. Every two weeks the last fluent speaker of a language passes on and with him/her goes literally hundreds of generations of traditional knowledge encoded in these ancestral tongues. Nearly half of the world’s languages are likely to vanish in the next 100 years"

The organisation is involved in documenting Munda languages also. According to them the Munda languages of India are among the most poorly known of the world’s languages. Spoken by so-called ‘tribals’ primarily in the eastern and central India states of Jharkhand and Orissa, with enclaves in adjacent states of Chhattisgarh, Madhya Pradesh and West Bengal. Despite representing the oldest known layer of population in India, predating the Dravidian and Indo-Aryan peoples that dominate the area today, the linguistic relatives of the Munda in the large Austroasiatic language family are to be found in remote mountainous regions scattered across southeast Asia (Thailand, Malaysia, Laos, southern China, in addition to the far eastern Indian regions of Meghalaya and the Nicobar Islands), as well as the national languages of Cambodia and Vietnam.

their link: www.livingtongues.org

He-brew

2009-04-14T00:54:00.009+05:30

My project on type design has begun, today my job was to look into how the Hebrew language and script was revived in the last century. Revival of Hebrew language took place in Europe and Israel in the end of the 19th and in the 20th century.

If we speak chronologically the entire Hebrew language timeline can be divided into four categories,

Biblical Hebrew: Hebrew was used in the synagogues. Aramaic was commonly used.
Mishnaic Hebrew: Rabbinic Hebrew, Talmud and Midrosh around 2nd century AD.
Medieval Hebrew: used to translate Arabic works into Hebrew.
Modern Hebrew: rebirth of Hebrew as a spoken language under Eliezar-Ben-Yehuda.

Here I will mostly write about the Modern Hebrew and Eliezar-Ben-Yehuda.

Eliezar-Ben-Yehuda was is the man who is credited to for single handedly reviving the modern hebrew language. Born in 1858 in a small village in Lithuania. He began learning Hebrew at a very tender age. As he excelled in his studies, He was sent to Talmudi Academy in a hope of becoming a Rabbi... More on him can be read from www.jewishvirtuallibrary.org

The reason why he is famous, is because He formulated several theories to popularize the hebrew Language out of all those Three are important:

Hebrew in Home

Ben-Yehuda after immigration to Palestine decided to only speak in Hebrew. When his first son was born he made sure to that the child only learned the Hebrew language and nothing else hence making the child as the first of all-hebrew speaking child in modern history.

Hebrew in school

He also proposed that rabbis and teachers should use hebrew as the language of instruction in the jewish schools in palestine. Revival could succeed especially and perhaps only if the younger generation could speak hebrew fluently. Apart from imparting education to children he also made sure to increase hebrew literacy among adults by publishing low cost hebrew newspapers.

words,words,words

As the spoken form hebrew was lost for 16 centuries till it was revived again, a lot new words had to be formulated. Initially to increase the vocabulary in hebrew he coined a few word on his own and let others also do so. In 1890 he formed the Hebrew Language Council to channelize the the process.

To draw a parallel with the Ol Chikki script and it's language Santhali. The population of Santhali people is about 50 million out of which only 10-30% of population knows how to write in Santhali. Due to it's similarity with bengali many writers are comfortable in writing it in bengali, also during the british rule the language was romanized and was thus also written in latin script. There are similar ways through which the written form of the language can be popularized only this time the context is different. right now for propagation of the script a few things that I could come up with are:-

doing a small publication on the folk tales of the santhals (from suresh).
adding Ol Chikki subtitles to the ever popular films.( from Ranjan)
Local channels can start Ol Chikki language programs or at least news.
santhali newspapers.